Cast: Paresh Rawal, Akshay Kumar, Suniel Shetty, Katrina Kaif, Sameera Reddy, Johny Lever, Chunkey Pandey, Archana Puran Singh, Neha Dhupia, Rajpal Yadav

Director: Priyadarshan

Rating: **

An hour into ‘De Dana Dan’, you are at the exact same point you were the last time Priydarshan got a bunch of people to chase their tails in an enclosed space: struggling to keep your eyes open.

Essentially, Priyadarshan makes two kinds of films. One creates high drama, with the help of a deeply-saturated canvas, filled with lush colours, flamboyant figures, and large gestures. This can result in the spectacularly good (‘Virasat’), or the really, really bad (‘Doli Saja Ke Rakhna’).

The other is the Priyan brand of comedy, which isn’t too bothered about production values or continuity or keeping track of threads. ‘De Dana Dan’ falls into the latter category, and it is, in literal terms, a going south. He’s given us ‘Hulchul’ and ‘Hungama’, where the laughs are non-stop, and the film is light and frothy, and very, very funny. In his latest, he is making the same film—mistaken identities, star-crossed lovers, and an assorted bunch going around in circles. But he can’t do anything about the fatigue factor, resulting from there being nothing new about the treatment, or the content, such as it is.

The ‘Hera Pheri’ trio of Paresh-Akshay-Suniel have been harnessed to this tale, which is about, let’s see—a put-upon, done-in fellow (Akshay Kumar), who is a slave to a monstrous rich hag (Archana Puran Singh), and who loves a sweet, rich girl (Katrina Kaif), a courier delivery man (Suniel Shetty), and his sweet, rich girl (Sameera Reddy), a bogus businessman (Paresh Rawal) and his foolish son (Chunkey Pandey), a brassy hooker (Neha Dhupia). Wait, we are not even half done : after a point, when several other bit parts show up to claim their fifteen minutes of screen time, ‘De Dana Dan’ starts feeling like a railway platform where people jump on and off, without caring about what’s being left behind.

... contd.