For Bollywoods leading ladies,hitting 30 no longer means pack-up time.
In Bollywood,an actors date diary is the only currency that matters. Her box-office clout is measured by how long a producer has to wait for her dates. But in a male-dominated industry,its almost never a woman actor who calls the shots. But in todays Bollywood,Kareena Kapoor has bent this rule.
The 30-year-old actor is blocked by all the Khans in 2012. Heres the breakdown: Ra.One with Shah Rukh Khan,Agent Vinod with beau Saif Ali Khan,My Love Story (a remake of the Malayalam hit Bodyguard) with Salman Khan,Reema Kagtis untitled thriller with Aamir Khan and Karan Johars Short-Term Shaadi with Imran Khan.
Bollywood is indeed waking up to the change. The age lines are vanishing,and thirties no longer herald the dreaded pack -up. Todays girls are thriving in their 30s.
Rani Mukerji and Vidya Balan are taking the lead in this seasons big ticket thriller No One Killed Jessica (NOKJ). The Rajkumar Gupta-directed film is driven by the two leading ladies who keep it simple but very taut. Mukerji is attempting a comeback of sorts with NOKJ and Kagtis Aamir Khan movie. Shes dodged the shaadi rumours,distanced herself from the Yash Raj camp and gone for an image makeover. Her über-stylish wardrobe during the NOKJ promotion sends out a clear message that shes back in the game.
As for Vidya,post-NOKJ,she gets set to enact the life of southern siren Silk Smitha in Ekta Kapoors The Dirty Picture. In Sujoy Ghoshs Kahani,she does a desi Kill Bill as a pregnant woman who goes looking for her missing husband.
So are the thirties the new twenties for Bollywood? Has the shelf life of a Bollywood heroine finally increased? Kareena is optimistic. I dont think its so difficult. Yes,it is a male-dominated industry but if you are good at what you do,directors will always keep you in mind. Then,it boils down to which films you want to be a part of, she says.
Last year,Kajol and Aishwarya Rai Bachchan had seven mainstream film releases between them. Marriage and age did not affect their filmography. Kajol showed off her histrionics in My Name Is Khan,We Are Family and Toonpur Ka Superhero. She even managed to find time to have a second child (baby boy,Yug) in this chock-a-block schedule. Ash,meanwhile,starred in Raavan and Raavanan,Action Replayy,Endhiran/Robot and Guzaarish. While the box-office result of her films was largely unflattering,that she is still on top directors go-to list is a testament to her star status as well as Bollywoods maturity.
The big picture is encouraging,but its not all that easy. The actors are not taking this phase for granted. As Kajol says,Its difficult to get the meaty roles after a while. Filmmaking is a business; nobody makes a movie out of the goodness of his or her heart. At the end of the day,Rajinikanth is still working and that too with Aishwarya Rai as his heroine. In that sense,there is no comparison.
Ultimately its all down to the directors,who do not want to compromise on their stories. If Vishal Bhardwaj decides to make Saat Khoon Maaf,which details a girls life from her teens to the age of 65,Priyanka Chopra agrees to age on screen. Chopra sat through agonising hours of prosthetic settings to look like a 65- year-old,and if the promo of the film is any indication,she seems to look the part.
Its about time we grew up to the age challenge. Finally,in Turning 30,we have a poster of a Hindi film that screams out the girls age. The times,they are a-changin.