A museum for each artist

It has offered to give eight contemporary artists, all under 60, their own personal museums to operate. The group includes some of China’s best-known avant-garde artists: Zhang Xiaogang, Wang Guangyi, Fang Lijun, Yue Minjun, Zhou Chunya, He Duoling, Zhang Peili and Wu Shanzhuan. All have accepted, and Dujiangyan, a city near the provincial capital, Chengdu, will soon begin construction on an 18-acre plot of land. The museums are scheduled to open in October 2008.

In a country with no major museum of contemporary art—not even in Beijing, where most of the eight artists work—this is a novel development. But in China, everything is changing at warp speed: artists who sold works for $100 in the 1990s have become multimillionaires operating huge studios and driving BMWs. They are helping to transform the style of the country’s biggest cities.

The new project, which will also include a public museum, is expected to bolster tourism and to benefit a group of real estate companies that are redeveloping the provincial area. In addition to providing the land, Dujiangyan’s government is investing around $13 million in the museums.

The eight artists, ranging in age from 42 to 59, include a few from Sichuan, but the others come from all over China. They rose to prominence in the late 1980s and early 1990s by producing paintings, installations and multimedia pieces that were often radical. Some of the work was viewed by the Chinese government as distasteful or antiauthoritarian.

But in recent years Beijing has significantly loosened restrictions on what can be exhibited in China as the global art market has fed a boom in new studios, galleries, museums and art districts in many of its cities. Today only the most controversial works—those with explicit sexual images or harsh depictions of high-ranking Communist Party officials— are banned.

How the artists plan to operate their own museums remains unclear.

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