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Adding Some Masala to the Games

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piyushroy Posted: Mar 03, 2007 at 1312 hrs IST
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He is back in mumbai, this time for the 2006 Crossword Book Awards. The last time he was giving interviews at large, he was promoting his book Sacred Games in Mumbai. This time, he’s fresh from a favourable response from a large section of the western press, and signing off translatations in several languages, including Dutch and German, with the Italian version due to be out next month.

There is a more relaxed air to him now. “Right now, I have given myself the permission to read what I want and watch a lot of films and television,” begins Vikram Chandra. “I recently finished reading a superb novel called The Hummingbird’s Daughter, by Luis Alberto Urrea based on the true-life story of his great-Aunt Teresa, who was born out of wedlock to a 14-year-old Indian girl and a rich rancher.” And well, that too “evokes the turbulent, violent decades of the late 19th century in Mexico” just as Sacred Games mirrors Mumbai’s turbulent bloody date with the underworld in the recent past.

Among the reviews was an enthusiastic Kevin Rushby writing in The Guardian: “I was grateful (to Chandra) for my full-blooded lesson in Hindi curses. All are brilliantly embedded so that every meaning is clear, a remarkable achievement.” Says Chandra of the excercise in unadulterated abuse: “It was great fun doing it.” He adds: “Isn’t it true that while learning a foreign language or visiting some foreign place, the first words that you learn are the bad words?” Chandra had resisted the limited glossary that accompanies the book’s US version (it’s not in the UK and Indian versions) after his American publishers insisted on it.

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But the wooing period with the readers gets into an overdrive as his 900-page novel gets ready to reach new readers through at least 15 language translations lined up. “It’s nice to see its lead characters like inspector Sartaj Singh and don Gaitonde, who in spite of springing from a particular socio-cultural context can still evoke sympathy in readers from far-off places,” says Chandra, pausing to add that the more specific a character is to a time and place, paradoxically the more universal it becomes. “Some of Dickens’ characters for instance have nothing to do with a reader like me and yet when I read his books, that person becomes entirely alive to me. That’s the beauty of epics, which even after centuries find a human voice speaking to us here.”

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