




This is also Manisha Koirala’s first Bengali movie. What made you cast her?
The role demanded someone feminine with a quiet grace and not very young. Manisha blended in to the character totally. I have always heard how she is undisciplined and not good to work with, but she brought a certain discipline to the set. Ajay (Devgan) had long ago told me that Manya was a great actor and almost like a man on the set. She changes on the set and is ready in five minutes. It’s actually true. No late reporting on sets or drunken stupor at work.
She dispelled all media myths and gave the character the experience of a veteran and the freshness of a newcomer.
That’s being diplomatic.
I think what helps my equation with them is that I give them a clear idea of the kind of set-up they will be in. They are treated as professional equals and not worshipped, as someone from Bollywood usually is. For instance, for The Last Lear, Preity was a little hesitant about how a serious movie like that would affect her image. She had to be convinced as an actor.
Once she saw the point she was fine. But in all honesty, I think I share a special bond with Aishwarya. We have done two films together and we connected very well. Soha, Koko (Konkona Sen Sharma) and Abhishek are like kids to me because I am so close to their parents. But Ash is different. She is practical, understanding, sensitive and very, very intelligent. Nowhere close to the fancy prima donna she is made out to be.
... contd.


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