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This is an archive article published on May 13, 2011

Chalo Bollywood

Prosenjit’s career has taken a new turn since his last three releases - Moner Manush,Autograph and Chalo Paltai. He is even back in a Hindi film after 20 years.

“I have just finalised Shanghai,a Hindi film with Dibakar Banerjee whose earlier films,I personally feel,have given a completely new direction to mainstream Hindi cinema. He called me up two months back but I had second thoughts. My stint in Hindi films 20 years ago took me nowhere in Mumbai. Things are different today. I have been picked not as a star but as an actor. I am constantly looking for directors who can bring out the best out of me,things that did not find expression in the kind of films I was doing in commercial Bengali cinema. Dibakar will do it for me. He saw my performance in Moner Manush and would not take ‘No’ for an answer,” said Prosenjit,dressed in pure white and relaxing in his well-appointed office on a weekday afternoon.

He is a bit edgy while giving away details on Shanghai at the moment but adds,“I play a popular human rights activist whose influence in the small town where he lives and works is much greater than that of any political leader. He is killed for his activism. After his assassination,things begin to take place. The entire film revolves around my character. Others in the cast are Abhay Deol and Emraan Hashmi. It is based on a novel by Greek writer Vassilis Vassillikos,who you will remember because Costa-Gavras’ French film Z (1969),a political thriller was based on his novel. The film won the Oscar for the Best Foreign Language Film. Dibakar has written the script along with Urmi Juvekar and is Indianising it in his own distinct way.. It is being co-produced by PVR Films and Dibakar’s production house.”

Besides this,Prosenjit has been invited by Sanskriti,organisers of the North American Bengali Conference as a special guest this year. This is an annual event held in July. Databazaar Media Ventures,this year’s Grand Sponsors are organising a film festival in collaboration with NABC. The festival is expected to screen four of the actor’s recent films. He has even signed on Aniruddha RoyChoudhury’s Aparajita Tumi where he has two leading ladies,Padmapriya and Kamalini,both from the South and both have bagged National Awards. The film will be shot entirely in San Francisco because he plays a NRI who is a high-flying corporate head. There is Ananda Math,a famous Bankim Chandra classic in which his wife Arpita has been cast opposite him for the first time since their marriage. It is being directed by Ujjal Chakraborty. Prosenjit is also considering a film by Sekhar Das based on a famous novel by Sunil Gangopadhyay”

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The critical and box-office success of Moner Manush over and above the top award at the IFFI last year has reinforced the change in the direction of this actor’s profile. He is now concentrating on characters,films and directors who can bring the best out of him as an actor.. The way the audience accepted the deconstruction of commercial hero Prosenjit in Moner Manush was beyond his expectations. The Governor of West Bengal has asked to watch the film,and the President has also expressed a wish to watch it. Autograph and Chalo Paltai were diametrically opposite to Moner Manush and yet,they were able to draw out layers that lay latent within him. “What else can an actor look for?” he muses.

At the moment,he is eagerly awaiting the release of Naukadubi,based on a Tagore novel in which Riya and Raima Sen are featured together for the first time. But above all,he is looking forward to the international release of Srijit Mukherjee’s second directorial film 22-shey Srabon at the North American Bengali Conference in July this year. “22-shey Srabonis a murder mystery that involves the police in a big way. I play Prabir Guha Neogi,who,I think,has been modelled on the real-life police officer Runu Guha Neogi who was a terror in Bengal during the Naxal era. It is a role I have never done before in my life about a cop whose life has gone sour. He lives alone and does not have a family. He has no qualms about visiting prostitutes. He uses the filthiest of abuses that would make a sailor blush. I have never used such abuses in my life. But this is just one segment of the character that passes through three phases beginning with a flashback. It is a new Prosenjit you will see in this film. I hope you like him. And the other Prosenjits too!” On that note,we part.

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