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This is an archive article published on April 23, 2010

Coming soon to the small screen

The cut-throat competition between channels for the latest hits on TV has resulted in each trying to outdo the other

The cut-throat competition between channels for the latest hits on TV has resulted in each trying to outdo the otherThe price for the satellite rights of the biggest blockbuster 3 Idiots is touted to be Rs 25 crore,making it the highest ever so far. And the rights have been reportedly snapped by Star Plus. However,when contacted,the official spokesperson for Vinod Chopra Films (producers) said they have not finalised anything yet and that “it’s too early to comment.” Sameer Rao,Senior VP,Strategic Planning & Commercial,Star India,refused to divulge anything. The yet-to-be-released Housefull is also said to be with Star as part of the three-film deal the channel has signed with Eros International. The 23-crore deal includes besides Housefull,the Salman Khan-starrer Veer and London Dreams. Star also has the rights to Atithi Tum Kab Jaoge?,which they reportedly bought for around 4 crore and will be airing soon. Rocket Singh Salesman Of The Year will be exclusively aired on Sony and has reportedly been bought for Rs 10 crore. It is also part of the Rs 110 crore deal Sony signed with Yash Raj Films for its library for a period of five years. Over and above,there’s Raajneeti,which according to highly placed channel sources will be aired on Colors. Buzz is that it will be aired within a month of its release. However,when contacted,Prakash Jha,producer and director of the political drama,denied that the film has been bought by Colors. “Negotiations are on with different channels,and the film will anyways be aired a good six months after the release,” he maintained. Incidentally,UTV has a Rs 95 crore syndication deal with Colors under which they have already shown Kaminey, Oye Lucky Lucky Oye and Dev. D.

Colors set the trend of showing films within 45 days of theatrical release with Blue and Ajab Prem Ki Ghazab Kahani. While Blue was a theatrical flop,it got a premium rate of Rs 6 crore for its starcast. Ajab…was still in theatres when it was aired on Colors. However,producer Ramesh Taurani of Tips says that Ajab… was shown on Colors on the 51st day of its release and “after six weeks it had got in all its collections. It was running only for one or two shows and that too in some pockets. It’s better to maximise your revenues and satellite rights is a way to do that.” Tips has apparently signed a three-film deal that includes Prince and Toh Baat Pakki for Rs 10 crore with Colors.

The fact that new movies are coming on TV within a couple of months of their release is a pointer that the shelf life of a film in theatres has reduced drastically and TV is increasingly being considered another ‘territory’ in trade parlance. Gordhan Tanwani,Chairman and MD,Baba Arts that deals with the syndication of satellite rights said,“Films in cinemas today make optimum money in two weeks,essentially two weekends as the film opens in all the centres simultaneously. After that it hardly gets one per cent business. It’s better to sell the satellite rights to a channel as it has become a major source of recovery for films.”

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It helps the channels too,which don’t have to work much on marketing the film,as the buzz is already there. They just have to leverage on the hype. And if the film’s a hit,it percolates down to the small screen. As Ashvini Yardi,Programming Head,Colors pointed out,“Airing new and blockbuster films within 45 days of theatrical release generate immediate response and eyeballs. Our aim is to become the entertainment destination for our viewers and new movies are a part of the strategy. Coming up soon on the channel is Wake Up Sid,which will be aired next month.” Rao agrees that broadcasters endeavour to bring the film on TV at the earliest,“but it depends on the producers deal with the distributors”.

With TV becoming a huge money-spinner for films,producers too try and seal the deal with a channel before the release of the film in an attempt to de-risk it,which means even if the film doesn’t do well in the theatres,the producer recovers some money from the satellite rights. Trade analyst Amod Mehra said,“Since the recession,producers are having a bad time. Flop films like What’s Your Rashee? are not even getting buyers i.e the price offered is very less.”

Even the trend of syndicating movies (airing on different channels) that began with Jab We Met where producers earned with each telecast is slowly on the decline. Except for Colors and Imagine,which follow the trend, others like Star and Sony prefer buying exclusive rights. Yuvvraaj and Love Aaj Kal,have been exclusively bought by Zee. The channel has apparently doled out Rs 3 crore for Yuvvraaj and around Rs 12 crore for the Saif Ali KhanDeepika Padukone starrer for a period of five years. Star has got exclusive rights for Rann for five years. The Amitabh Bachchan starrer was bagged by the channel for Rs 7.5 crore. Jayantilal Gada of Pen Entertainment,movie agency for Zee averred,“The trend of syndication of movies is getting over. Star,Sony and Zee are buying movies exclusively. This is a win-win situation for both.”

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