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This is an archive article published on January 14, 2009

‘Everyone is busy trying to get 15 minutes of fame’

Sarod maestro Ustad Amjad Ali Khan,acclaimed as one of the greatest sarod artistes of our time,considers audience to be the soul of his art.

Sarod maestro Ustad Amjad Ali Khan,acclaimed as one of the greatest sarod artistes of our time,considers audience to be the soul of his art. The artiste was recently in Ahmedabad to perform at the Saptak Music Festival. The sixth generation torchbearer of the Senia Bangash Gharana spoke to Sukumar M Trivedi about the contemporary scene of the Indian Classical Music. Excerpts:

* You are known as a great lover of the music of late Ustad Amir Khan saheb. You have even composed a new raga — Amiri Todi — as a tribute to him. Which aspect of his music has inspired and influenced almost all the great vocalists and instrumentalists of our time?
If you survey the history of the Indian Classical Music,you will find that every generation has produced a few great artists. When I started playing sarod,there were Amir Khan saheb and Bade Ghulam Ali Khan saheb. Both were great artistes but their approach to music was diametrically different. In my opinion,both were genius but the legacy of Amir Khansaheb was carried on not only by his own disciples but also by those who were the artists of other gharanas as well.

At one time it became a fashion among artistes to mention Amir Khansaheb’s name as the artiste to have inspired them. However,my love and reverence for Khansaheb does not stem only from his music but for his truly kind and humble nature. When he died in a tragic car accident in 1972,it appeared as if the light had gone out of our lives.

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The idea to create the raga ‘Amiri Todi’ developed in my mind during that period of the intense grief and after a few years I composed it.

This raga is a mixture of two of my most favourite ragas sung by Khansaheb,Sahana and Bilaskhani Todi. It is my personal tribute to the great artiste and great human being.

* We are always told that the Indian Classical Music is spiritual in nature and not sensuous. What is really spiritual about this music?
Frankly,it is quite difficult to answer this question as it (the idea) varies from artiste to artiste. Some artistes believe that the music is a medium to propitiate the deity or the God.

Some believe that it is a medium to feel (being) one with the Paramatma and some believe that “sur” itself is God and singing or playing music is upasana (worship). However,one important characteristic of our music is that unlike other types of music it does not assign much significance to words and therefore it is about creating ‘rasa’ or ‘bhav’ (mood) without any worldly reference and in that sense it is spiritual.

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* What is your opinion about the current state of the Classical music in India?
The Indian Classical Music is passing through the worst possible time. The dedication to art that was absolutely necessary on the part of a guru,a student and organisers of concerts and recordings is completely missing today. Proliferation of TV and FM radio channels has not helped the cause as every one is busy trying to get his or her 15 minutes of fame. The governments at the Centre have also not cared much about its preservation and promotion.

* What is the way out?
I cannot say anything about individuals but as long as the patronage of the government is concerned I think all the cultural institutions should be run by artistes only. In other words,all politicians and bureaucrats should be ousted from these institutions.

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