Thirty years ago, Pankaj Mullick, a musical legend, departed from this world but left it richer with his spellbinding music.

I was introduced to his music at the age of seven. We were living in the small town of Bharatpur and I used to look forward to my Uncle Vinnie coming on vacation from Allahabad University armed with 78 rpm records of the latest Pankaj Mullick songs to be played on our HMV gramophone. I would be mesmerized by the lyrical ‘Yeh Kaun Aaj Aaya

Savere Savere’ and ‘Chhupo Na Chhupo Na Woh Pyari Sajaniyan’, sway to the lilting melody of ‘Madbhari Rut Jawani Hai’ and ‘Aayi Bahar Aaj Aayi Bahar’, and march to the martial beat of ‘Pran Chahe Nain Na Chahe’. Whenever I did well in an exam, ‘Aaj Apni Mehnaton Ka Mujhko Samra Mil Gaya’ would echo constantly in my mind!

Pankaj Mullick grew up in a musical environment as his father, Monimohan Mullick, was very fond of music and used to invite musicians to sing and play at his house. Pankaj then met the Tagore family and was fascinated by the great poet’s work, and won his approval to turn the poems into music. Steeped in tradition, he was also a great innovator and introduced the tabla and other instruments which were till then taboo in Rabindra Sangeet.

Among his other pioneering feats were the introduction of western instruments and playback singing in Indian films. He was the founder of the concept of ‘tonga song’ with his immortal ‘Piya Milan Ko Jana’. He directed and composed the biggest hits of K.L.Saigal such as ‘Soja Rajkumari’, ‘Main Kya Janoo Kya Jadoo Hai’, ‘Ai Katibe Taqdeer’, ‘Do Naina Matware’ and the Devdas hit song ‘Balam Aye Baso More Man Main’.

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