However, the icon of the motherland, “terrible with the clamour of seventy million throats”, likened to “Durga holding ten weapons of war” etc, entered the public imagination much later. This was from the beginning of Bengal’s Swadeshi agitation in 1905. It was sung in the Congress session in Benaras in 1905 (music composed by Tagore), in anti-Partition processions in Calcutta led by Tagore, in meetings addressed by Aurobindo Ghose. The latter hailed Bankim as the rishi of nationalism and translated the poem into English. Many translations were made, including one by Subramaniya Bharathi in 1905. Likewise, far away from Bengal, Mahatma Gandhi took note of the song as early as 1905. What is more, Vande Mataram became a slogan for the common man, to the extent he participated in anti-British agitations. Many of the militant nationalists faced bullets or the gallows with that slogan on their lips. Thus Vande Mataram became sanctified as an intrinsic part of the memories of the fight for freedom.

A third phase in the life of the song began in the 1930s when objections began to be raised against the song on two grounds: first, its association with Anandamath, which depicted the Muslims of the Nawabi era of the 1770s in Bengal in a poor light; second, the religious imagery and idolatry implicit in the stanzas of the poem following the first two. (Today those innocent of any knowledge of the song and the novel probably mistake the part for the whole). M.A. Jinnah, as well as a number of Muslim legislators in the provincial assemblies elected in 1937, became vociferous against the recitation or singing of Vande Mataram, a practice introduced by provincial Congress governments. In response to this, as well as pressure of Congress members, Jawaharlal Nehru in October 1937 wrote to Tagore asking for his opinion regarding the suitability of the song as a national anthem. The judgement Nehru received was that the first two stanzas of Vande Mataram should be accepted; as for the later part of the verse, Tagore thought it might offend monotheists, but the song was inextricably associated with the freedom movement and “the sacrifices of the best of our youths” since 1905.

... contd.