The cast of six was chosen after an audition of 60 hopefuls when Mehta came home for holidays in May. “I had heard they do plays with a difference, so I turned up and got a part,” says Pallavi Sharma from Miranda House, who plays Parvati. The students spend the better part of their summer break poring over script, brushing up dialogue and brainstorming until “nothing makes sense any more”, says Tara Bedi, a fourth-year student from NYU. In Fasten Your Seatbelts, the airline is called Mirch Masala International (“Desh Mein Nice, Videsh Mein Spice”) and Jat Airways (“Take Punjab Places”). The language is Hinglish like it is “spoken by people like us” and characters talk about DLF Malls, Mumbai vs Delhi and Shiney Ahuja. “I genuinely don’t know why our plays work, but they do,” says Mehta.

Assistant director Nayantara Parikh, 20, who studies cinema at NYU, adds that Crazy Spotlight works differently. “In the US, there’s a lot of theatre by youngsters for youngsters. That’s what we’re doing here.” Though the group takes plays of Neil Simon and Michael Frayn, these are always transformed into Delhi plays. Sanjana Batra, who recently graduated from Lady Shri Ram College and hopes to enrol in Warwick College, UK, says Crazy Spotlight, with its irreverent outlook may be antithetical to how the theatre functions in India. “Sometimes you should leave your brain at home if this helps you laugh. It is a good thing to challenge the intellect of the audience, but abstract plays, social commentaries and age-old stories often don’t work with the urban youngster.” Dhruv Sachdeva from Sri Venkateswara College, who plays Adit, adds that “part of our pull is that we have fun. If actors have fun on stage, the audience will join in”. Fuzzy logic or trade secret?

... contd.