•You have designed all kinds of shoes—from flats and sandals to boots. Are there any shoe silhouettes you don’t care for?

I don’t do platforms. I find them ugly. They’re dangerous, and not very flattering for women’s legs.

•Do you sometimes design with certain women in mind?

I used to, but I don’t think it’s very nice. I do have fantasies—I love people of my time, like Julie Christie.

•What, in your opinion, is the most beautiful shoe silhouette?

A light, beautiful shoe. I like pumps. And it’s the most difficult shoe for me to cut. It’s got to be perfect. You’ve got to show just exactly the right amount of cleavage—just a little to suggest. I love thin heels. Also, I think it’s fantastic to see a shoe lived in. Maybe it’s a perversion, but I like it.

•Shoe etiquette—when do you wear what? Like, can you wear satin during the day?

Yes, I think so. I don’t think there are rules any longer. But I’m proper, I like to have a pump for the evening. White shoes are for a wedding or daytime in summer.

•What do you think your business would be like now without the exposure you received on Sex and the City?

I don’t know. I wouldn’t have even dreamed of reaching that point of exposure. I’ll be grateful forever to Miss (Sarah Jessica) Parker and Miss (Patricia) Field, the costumer. We did a series of shoes, and they chose whatever they wanted for the film.

... contd.