Move over,Bond. My name is Khan,and I am not a terrorist

For a long time now,and especially after 9/11,this statement,both scarily defensive and stating the obvious,has played out the world over,in different forms,and in different media. But this new articulation,which comes from Indias biggest star who,by no coincidence,also happens to be a Muslim,and a Khan,makes it at once acquire fresh,urgent meaning.

For Shah Rukh Khan to not pick up a Pakistani cricket player for his IPL team,and then lament the absence of Pak players on prime-time TV is clearly duplicitious. But when he plays upfront,with a Forrest Gump-ish,endearing honesty,a good Muslim man who is NOT a terrorist,there are no false notes: will the Thackerays ask him to take back this line as well?

The cynics amongst us have been skeptical about the genesis of the Shiv Sena uproar. Was it all a carefully planned strategy to get endless,free publicity? Even if distributors 20th Century Fox had expended millions,they wouldnt have done such carpet coverage without the controversy. Sure,he did a brave thing by standing up to the Sena rhetoric,but would SRK have been quite as forthcoming if his films release wasnt around the corner?

The star got on to Twitter just a few weeks ago,and amassed thousands of followers in a matter of hours: passionate tweeters also buy tickets,and get others to do so. So do Facebookers,and other social media addicts,and every human on the planet whos happened to catch a Fox publication or TV channel.

My Name Is Khan started life as every producers dream. An ambitious project from candyfloss king Karan Johars stable,with Bollywoods Badshah in the lead,a story aimed at wringing heartstrings,and a lucrative distribution deal with a Hollywood studio giant that would take the films release to a whole new level: it couldnt get better than this.

On each of those counts,MNIK rings the changes. Given their earlier smash-hit track record,the Karan Johar-Shah Rukh Khan-Kajol combine commands instant stickiness. Distribution partner 20th Century Fox ensures a sea of visibility: have you managed to go to a single TV channel in the past month,which hasnt had an MNIK connect?

Shah Rukh Khan playing a differently-abled man is a proposition his vast fan base will find irresistible. No sena,Shiv or otherwise,can stop this juggernaut once the initial hiccups are over. Rizwan Khan has Aspergers Syndrome,a form of high-functioning autism,which leaves a person with impaired social skills,accompanied,most often,by an incredibly high IQ. As a child,he learns to fix things,and he carries that ability with him when he makes the long journey from a grungy Mumbai suburb to a serene Californian city. There he finds love and companionship,but it is short-lived: a tragedy breaks into the idyllic life hes created with single mom Kajol and her young son.

That is the cue for Rizwan to get on to the road,with a single point agenda,to meet the President of the USA to deliver his message that his name is Khan and that he is not a terrorist.

All these are good points for furious exchanges. We can have impassioned debates about how SRK performs as a person with Aspergers,but there is no doubt that film brings into the kind of blazing spotlight only a big-budget blockbuster can provide,the extraordinary difficulties a person with special needs faces when he meets life head on.

We can go back and forth on how effective SRK is as a full-blown Muslim character,(a part hes played before in Chak De but in which his Muslim-ness is not as much to the fore). But theres no denying the power of seeing a hugely popular,hugely charismatic star sporting a skull cap,and doing a sajda,or reading the namaaz.

Despite its flaws,MNIK is all set to be the first real crossover Bollywood film: its format is full-on,unabashed Hindi masala,its message completely universal. Move over,James Bond. The new line is going to be My name is Khan,Rizwan Khan.