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This is an archive article published on July 19, 2013

Review Ramaiya Vastavaiya: Why and for whom is this film being made?

Did anyone stop to ask themselves why and for whom they are remaking this film?

Rating: 0.5 out of 5

Early on in the film,one character tells another: “Kya ghisi-piti baatein kar rahe ho,kuch naya kaho na (Why are you saying the same old things,say something new).” It should have been the tagline of Ramaiya Vastavaiya,the most shopworn,tired film I have seen in a while.

It is a remake of a Prabhu Deva’s own Telugu hit which was a remake of Maine Pyar Kiya,which itself was a refurbished version of the romances Hindi cinema was churning out in the ’60s. Instead of Salman Khan and Bhagyashree,we have Girish Kumar and Shruti Haasan. Around a quarter of a century separates the two films. Why and for whom is this film being made? It is a Tips production and the lead actor is a Taurani (the producer’s) scion,so it is understandable that you would want a cast-iron hit. So of course,you would reach for the oldest plot in the world: a poor- but- proud heroine,a rich- but ultimately- nice hero,an over-protective brother of the girl,and mealy-mouthed parents of the boy.

The first half is spent in a large ‘shaadi–wala’ ghar with village belle Sona (Haasan) and the Australia-returned Ram (Kumar) making faces at each other,and then falling into each other’s arms. Cue arrival of poor-but-proud bada bhaiya (Sood),so that the nasty elders (Nasser,Shah,Dhillon) can humiliate him and tell him to get out. Second half: city boy Ram shows up in the village,picks up cow dung,milks said cows,sleeps on straw pallets and eats terrible food,all to win over the bhaiya,and take his dulhan away.

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Each minute hangs like lead. Every single cliché in the book is thrown into the mix,with poor Poonam Dhillon as the boy’s mother-from-hell,and Randhir Kapoor as the father-of- the-boy- trying hard to act sensible,having to mouth the most inane lines. I had not an iota of interest in the leads,neither in the first-timer Kumar,nor in Haasan who appears a veteran in comparison. My heart goes out to Sonu Sood who is a good actor,and who gets stuck in this kind of tripe.

And why,in a Prabhu Deva film,was there not a single dance that made me want to get up and jive? He does show up in one number,but it is old and tired as his film.

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