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The newspapers every morning,and the television news throughout the day spew out gory images of a conflict-ridden Kashmir. From his home in Mumbai,actor-turned-director Aamir Bashir says,My parents have always lived in Kashmir but I grew up in Delhi,an outsider to the Valley. My pain,as I watched unrest,was the pain of an outsider. My views were those of a person who does not live in Kashmir. Bashir tries to narrow the distance with his first film,Harud (meaning Autumn). The film is set in Kashmir and has been selected for screening at the Toronto Film Festival in September. It is one of the three films from India at the festival the others being Kiran Raos Dhobi Ghat and Anurag Kashyaps That Girl in Yellow Boots.
Bashir,who was last seen in Neeraj Pandeys critically acclaimed A Wednesday,has shot the entire film in Kashmir. It is the story of psychological decay in a family that is trying to come to terms with the death of the elder son who was a tourist photographer. The younger son attempts to cross the border to become a militant but fails. He returns home,and one day finds his older brothers camera which still holds the last photographs he had shot.
Playing the head of the family is acclaimed Iranian actor Reza Nazi,best known for his roles in Majid Majidis Children of Heaven and The Song of Sparrows. He had no airs. It did not matter to him that we had no folding chairs to sit on,no vanity vans and no spot-boys to assist him. He shot his scenes in 10 days without any glitches, says Bashir,who first met Nazi in 2007 while helping out with the subtitling of The Song of Sparrows into German. Nazi went on to win a Silver Bear at the Berlin Film Festival for the film. When I wanted him to act in Harud ,I called and told him that he owed me one, laughs Bashir,who will also be screening the film at the Rotterdam Film Festival to be held in the Netherlands later this year. The other stars of the film are a group of first-time actors who were chosen from various acting workshops held in Mumbai. They are more like models in the film,emoting the basic action that we wanted. This makes the shots unstudied and natural, says Bashir. Bashir made the film on a budget of less than Rs 2 crore with Chasing Tales,a new production house,helping him along. It helped that we also managed to get Hubert Bals Fund for post-production work from the organisers of the Rotterdam Film Festival. We were working on an embarrassingly low budget. I am glad the film is finally ready, says Bashir.
The film will travel the festival circuit this year in the hope that a distributor might be interested to release it to the mainstream next year.
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