“Working from home seemed more convenient,” he reasons. While a custom-made easel was created according to the dimensions of the wall, the artist also made sure that the room had a dewan and cane chairs for guests who often called on him. “I don’t mind people visiting me at the studio, but I’m not comfortable painting when they are there,” he says.

He doesn’t seem to be comfortable displaying his works either. So the walls are bereft of his own creations. On display, instead, is a small metal sculpture from New York and artifacts created by craftsmen from Rajasthan that are kept under the railing of a staircase that leads to another room.

“I like collecting artwork and decorating them. My own canvases are always stacked in a corner,” says Das. Integral to Das’s works are his immediate surroundings. While motifs from nature in his early creations reflected the childhood in Shimla, the paper-works have often acted as travelogues, pasted with car stickers, stamps, museum tickets and labels collected during sojourns across the globe.

Then there’s the utilitarian side to Das, seen in the kitchen, “where I cook non-vegetarian dishes”, smiles Das, adding that his wife Mona Rai, who is also an artist, is vegetarian. Pull up the chik covering the window behind the dewan and you find more sculptures on the sill. Here’s also a calendar marked with reminders. “I like to note down important dates lest I forget,” says Das. Unlikely, given the order that prevails in his studio. ©