It also proves that the director may be good at creating suspenseful drama but he hasn’t a clue about this genre. The plot, such as it is, seems to consist of scenes cobbled from many ghostly tales (the bath-tub is from The Ring; so is the well). He would have done well to have cogged from the first Raaz, which was one of the biggest hits of 2005: Dino was satisfactorily puzzled, Bipasha sizzled, and the ghost was truly scary. Here, Kangana has a brave bare-all scene but she is a damp squib.
As is the film.
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