With new idols, come new aspirations. You had to be at Mumbai’s Andheri Sports Complex in March this year during auditions for SaReGaMaPa Challenge 2009 to understand what other shibboleths TV is breaking. Contestants lining up from the night before ranged from hobby singer students to working executives. Ten years ago, it was a frenzy you could have seen only at competitive examinations. A consultant by profession, “but musically inclined by passion,” 50-year-old Atul Pandey was there to cheer his son Nitin, an engineering student. “He has a good voice and the looks but he was rejected. We have admitted him into personality grooming and music classes so that he is better prepared next time on the same or another reality show. There is a lot of opportunity on TV today; even if he makes to the show and fails, he can multi-task like Amit Tandon or Qazi, who have ventured into soaps and films.”
Thanks to reality TV, singing and dancing is no longer a career-path fraught with risks, say most participants and even parents. Says social psychiatrist Anjali Chhabria, “Parents don’t mind pushing their wards to TV as a personality development avenue even if it doesn’t amount to tangible gains. In the hinterland, it’s still the ultimate short-cut to urban acceptance. There’s nothing like being on TV and who doesn’t want to be famous?”
The fame addiction has spawned a fraternity of pushy parents. “I was appalled by the way a parent barged into the auditioning room after we rejected her daughter in a Mumbai audition of Indian Idol,” says Anu Malik, Indian Idol selector. “We made her listen to her daughter sing and only then did she back out...Children are an important part of their parent’s personalities. Many parents also come to reality shows to realise their own dreams.” Agrees Chhabria, “Reality TV creates a misplaced ripple-effect of opportunities for all, which isn’t true.”
The explosion of lookalike shows across channels might signal democratisation but the quality of programming has taken a plunge. “Everybody may want to be on TV. But what they do on the TV too is equally important,” says Malik. No wonder, on the TRP scale, unimaginative song and dance contests have been consistently slipping off.
Vipul D Shah, chief creative officer of the 29-reality-show-old Optimystix, says, “It’s high time our reality shows got real. Eighty per cent of Indian reality shows today are scripted, celebrity-based studio shows. Real reality shows are unscripted ones like Bigg Boss where lies the future of this genre.”
Agrees Balwankar, “As an audience, we still haven’t become as voyeuristic as the West, but we are definitely heading there. Reality TV is here to stay and grow, with more innovative formats.”
Taneja and Co would say amen to that. The cousins, having won the show, are now the toast of Ludhiana and a family reconciliation is on the way. After all, what’s bigger than the small screen?