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As a group of young girls from St Stephens School move towards Kapila Venu to touch her feet,the embarrassed 26-year-old Koodiyattam performer steps back. Lets shake hands, she smiles,wishing a bright future forthe students who are learning classical dance.
After an intense hour long performance at the SPICMACAY Heritage 2011 festival,she relaxes backstage with a glass of milk. She is eager to remove the make-up,which took her two hours to apply. The dance form is intense emotionally,physically and spiritually, she says,about the 2,000 year old dance,that has been recognised by UNESCO as a masterpiece of the oral and intangible heritage of humanity. The Sanskrit drama,presented in the traditional style in temple theatres of Kerala and Tamil Nadu,is the only surviving specimen of ancient Sanskrit theatre. Reportedly,in 1955,Guru Mani Madhava Chakyar was the first to perform Koodiyattam outside a temple.
One person cant take the responsibility of taking an entire tradition forward,but the biggest wish is to better the performance each time. That is surely the responsibility of the performer, says Venu,who is the daughter of Koodiyattam artiste and scholar Gopal Venu and Mohiniyattam dancer Nirmala Pannikar. While she began learning dance as a toddler,at the age of seven Venu started training with her guru Ammannur Madhava Chakyar.
In Chandigarh,the dancer brought alive on stage a range of mythological characters,from Shakunthala to Subadhra,Sita,Koormavataram and the incarnation of Lord Vishnu as the great turtle. She depicted their world,through body language and expressions. Its a result of intense training of more than 15 years. It becomes a part of the lifestyle,and sadhna is the basic philosophy. The aim is not to perform for fame or entertainment,but to make the audience experience each moment… we call ourselves practitioners and not performers, says Venu.
It is theatre. There is some experiment and interpretation,but it is not a flexible form. Its always great if the audience reads the text and then experiences the story, adds Venu. She is aware of the challenges faced by the classical dance form. We all are part of a community and cant exist alone. We are serious about our art,but not paranoid about its popularity. Why should Koodiyattam be a brand name? I dont believe in the concept. I feel that if an art form is too popular,its already diluted, adds the dancer,whos constant aim is to enhance her technique as an actor and dwell on evocative stories from her surrounding.
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