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Renowned bassist Victor Wooten tells us that its people who make music,not musical instruments
It’s oddly modest,yet Victor Wooten tells us hes probably being egoistic when he informs us that the best part about his trip to India so far has been the adulation showered upon him. I had no idea that so many people knew about me, he exclaims. But for music aficionados,its not particularly surprisingin a world that glorifies the lead guitarist to an almost deistic level,bassist Wooten has made himself a name to reckon with. Its not an easy feat,but as the musician keeps insisting,it doesnt matter which instrument is lead because its the people and not their instruments that make music.
Wooten is on a workshop-cum-concert tour of India,with friend and guitarist Prasanna,who runs the Chennai-based Swarnabhoomi Academy of Music. Theyve already covered Chennai,Bangalore and Kolkata. I met Prasanna in Boston a few years ago and hes been trying to get me down here for some performances ever since. Wooten and Prasanna also conducted a workshop followed by a concert at Shanmukhananda Hall,Sionin Mumbai.
The five-time Grammy winner,who has mastered a variety of genres,has played with some of the best and well-known musicians in the world like The Dave Matthews Band,Prince,Bobby McFerrin and Chick Correa and bass legends Stanley Clarke and Marcus Miller,with whom he formed the SMV trio. That was the most recent concert that I thoroughly enjoyed,because I played with two of my heroes, he explains,But quite frankly,I think Ive toured enough. Im 45 years old and Ive done a lot of performances. I think now it is time to share my knowledge.
Its this love for teaching that has made Wooten a popular choice for workshops and clinics. When asked if he prefers being a teacher to a performer,he dissembles,saying,I always perform when Im teaching. I like people to observe my process and its a good way to show them how music flows from life. Its been one of the basic philosophies of Wootens life that all humans are musical creatures; skills are only incidental. We all instinctively dance and we all understand the emotions that a musician expresses through his work,even if we dont understand his language.
There are many things that the musician will take back from Indiathe hope that he can record an album with Indian artistes,a massive collection of Indian music,all gifted by well-wishers hereand a growing respect for Indian classical percussion. Ive really come to appreciate the way Indian percussionists think about and organise their music. Theyre almost mathematical in their precision.
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