This is not a column that discusses cinema, but this week I make an exception because of a film I have just seen, which inadvertently exposes the myth of ‘moderate’ Islam. I went to see Khuda Kay Liye not just because it is the first Pakistani film to be released in Indian cinemas since anyone can remember, but because I gathered from reviews that it was a reflection of moderate Islam. This is a commodity in short supply in the subcontinent as well as across the Islamic world, where supposedly moderate Islamic countries like Indonesia and Malaysia have transformed in recent times into places where women have exchanged mini-skirts and western influence for the hijab and a return to medieval Arabia.

Khuda Kay Liye is the story of a modern Pakistani family that is destroyed when one musician son ends up in the clutches of a bad mullah and the other ends up in an American prison cell, where he is tortured till he loses his mind. The Islamist son, under the influence of the evil maulana, coerces his London-bred cousin into a marriage she does not want and forces her to live in a primitive Afghan village so she cannot escape. He rapes her because the maulana instructs him to and gives up his musical career because the maulana tells him that the Prophet of Islam did not like music. And he becomes an involuntary mujahid after 9/11, fighting on the side of the Taliban government. This is a simple story of a young man misled in the name of Islam.

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