Something to Tell You
Hanif Kureishi
Faber, Rs 495
Hanif Kureishi’s new novel explores London, from the swinging ’70s to 7/7

Hanif kureishi’s sixth novel is a long, sometimes engaging and more than occasionally satirical work that explores London in the era of Thatcher, refracted through the prism of the present. Here, Kureishi returns to the territory of his first novel, The Buddha of Suburbia, and his first script, My Beautiful Launderette, and explores the effect of ageing on the passions (found in some of his later work such as The Body). As such, Something to Tell You embraces, in the author’s words, “psychoanalysis, pop, race, Islamic fundamentalism, love, the vagaries of middle-age desire and regret”.

The story is told by Jamal Khan, a middle-aged psychoanalyst and unabashed Freudian, who ranges freely over his present and past. The characters in Jamal’s orbit include his friend Henry, a film and theatre director of some repute; his sister Miriam, with whom Henry starts a liaison; his estranged wife Josephine who lives with their son Rafi; his boyhood companions Valentin and Wolf; and the love of his life Ajita, whom he meets as a philosophy student in a London university.

Kureishi’s manner of presenting these characters reminds one of Virginia Woolf’s diary entries while composing Mrs Dalloway. She writes of trying to dig out “beautiful caves behind my characters”, caves that “shall connect and come to daylight at the present moment”. Though Kureishi’s ambitions are obviously dissimilar, he digs deep caves behind his characters too, and makes sure that we see far back into each one. Unfortunately, this frequently makes the novel a crisscrossing web of desires without a central presence. It’s far more taut and interesting when Jamal takes centre stage, such as in the account of his trip to Pakistan with Miriam.

... contd.