Sign In / Register
Make This My Home Page | Feedback |RSS
You are here: IE »   Story

Women In Film

  • Print
  • Mail This Article
  • Comments
  • Add to favorites
  • Personal Loan

    When one thinks of the quintessential Hindi film heroine it is invariably someone of statuesque proportions and a certain melancholic beauty such as Meena Kumari, Nutan, Madhubala, Rekha and Rakhee or someone with lissome grace and vivaciousness such as Waheeda Rehman or Madhuri Dixit. These were women who brought a dramatic intensity to their roles creating memorable characters which, in turn became archetypes of Indian women : the wronged woman, the long suffering wife or mother, the warm-hearted prostitute, the sacrificing sister etc. etc.

    The character of the heroine evolved through the decades. A significant step was the merging of the heroine and the vamp which saw a more modern and zestful personality emerge on the screen. Actresses like Hema Malini, Zeenat Aman and Kareena Kapoor could play bad girls as well as good ones, spoilt chicks as well as coy ones. Over the years women on screen began to have careers (Priety Zinta as a journalist), extra marital relationships (Rani Mukherjee in KANK) so on and so forth. The heroine became more individualistic and at the same time more active in the world rather than being confined to the home.

    Ads by Google

    Films tend to reflect trends in society which is what makes one look at the recent crop of women characters in film as a fascinating insight into the contemporary environment. The heroines of two current box office hits -- Love Aaj Kal and Kaminey could give any hero a run for his money. Both, played respectively by Deepika Padukone and Priyanka Chopra, are passionate, strong willed, sincere and tough -- not in the self sacrificing manner of their predecessors but in pursuit of their emotions. Padukone's Meera will confront the truth regardless of what it does to her marriage while Chopra's Sweety will pick up a gun and shoot wildly at anyone if she or he stands in the way of her happiness. These are not special women, in fact they are ordinary women -- the girl next door -- resourceful, self reliant, volcanic, fun loving and, most important, a real person unlike the melodramatic, over the top characters of previous years.

    ... contd.

    Next12
    women in adoor gopalakrishnan filmBy: K PRADEEP | 14-Sep-2009 Reply | Forward adoor is one of the cotemporary filmaker. in adoor realy portriet women through in his film.
    Stop Ms Amrita Shahs articles on the blog pleaseBy: Jagmeet | 11-Sep-2009 Reply | Forward IE please stop this moron Amrita Shahs blog. She is a clueless idioit with no grip on reality
    MarketingBy: Harsh | 27-Aug-2009 Reply | Forward Film is a medium of entertainment, if it does not entertain it is useless. A woman in film of any country portrays similar way. But in reality, role of women in today or yesterday life of any part of world is of homemaker and if that changed, life on earth will become a third grade movie that is full of violence and lust. Life belongs to both men and women, and judge their importance in the footage of film is incorrect. Whether it is Sita or Talisma (Bengali writer) the struggle against discrimination is going on and it has no end. Unless and until the marketing powers are dominating in our day to day life, discrimination either of men or women will going on. Because discrimination is a basic of any successful business, whether it is a goods, fear or greed marketing. How to insulate ourselves from this is the real art of living, and one has to learn it by sacrificing little greed and ego to earn happy and fruitful life.
    hi bloggerBy: lekha | 27-Aug-2009 Reply | Forward i have one question for you.Are you living on the same planet as the rest of us?
    Not all Indian womenBy: hashis | 27-Aug-2009 Reply | Forward I think the few movies cited in the article portray the aspirations (not really the trends) of a small section of middle class women. Most middle class women are still in the clutches of patriarchy. As to women from other classes of Indian society, no movies are made about them. If some movies do portray them, they are quickly branded as "art movies" and distributers stay away from them like they would do from the plague (or is it swine-flu?). However, at the end of the day, it is heartening to see masala movie heroines shown as being a little more than "item numbers".
    Post a Comment
    Name:
    Email:
    Title:
    Maximum characters allowed     
    Comment:
    TERMS OF USE:
    The views, opinions and comments posted are your, and are not endorsed by this website. You shall be solely responsible for the comment posted here. The website reserves the right to delete, reject, or otherwise remove any views, opinions and comments posted or part thereof. You shall ensure that the comment is not inflammatory, abusive, derogatory, defamatory &/or obscene, or contain pornographic matter and/or does not constitute hate mail, or violate privacy of any person (s) or breach confidentiality or otherwise is illegal, immoral or contrary to public policy. Nor should it contain anything infringing copyright &/or intellectual property rights of any person(s).
    I agree to the terms of use.