It’s About Compatibility

• Why did you finally turn director with Aazar Ka Khwaab?
I’m just director by default. The play, a comedy based on Pygmalion, came together in precisely nine days—and our lead actress walked out five days before the premiere. I just offered to step in when things didn’t work out. It was really chaotic and our first run-through of the entire script happened only on the opening night!

• How would you shape out the perfect woman?
(Laughs) I wonder what Eve was like. And I’m sure Adam would have had something to say about that too. I think I’ll just make do with what exists.

• Are you more comfortable with comedies such as Aazar… and Ji Mantriji?
I was very disappointed that all the Ji Mantriji episodes weren’t aired. All of us can do with a little humour. And when it comes to politics, anything that eases the tension is welcome.

• Is it easy juggling three plays and a TV show?
It’s not bad. Aazar was just a combination of nervous energy. I don’t need to memorise lines in either Tumhari… or Aapki…, as it has to sound like letters being read. Even Jeena Isi Ka Naam Hai has no formal script, it’s like a dinner-table chat. So not much preparation is required.

• Why did you give the suited anchor image a miss in Jeena Isi Ka Naam Hai?
I’m comfortable in western wear too but am completely at home in my achkan. It depends on the guest—the host must never overshadow him/her.

• What if the tables were turned?
I’d make a very boring guest! So every time it’s suggested, I politely decline.