




The process of creating one’s own personal fragrance is not unlike building a house or designing a couture ball gown. Clients at Cartier, which launched its bespoke scent creation in 2005, meet with in-house nose and industry leader Mathilde Laurent for a preliminary three-hour “conversation,” in which she gently asks questions designed to reveal their intimate tastes and subliminal desires. Laurent, who works on about eight perfumes a year, interprets the information to imagine fragrance ideas, which she then presents to the client. The process can take up to 10 meetings, resulting in the creation of a final perfume over several months. Ingredients such as jasmine from Grasse can cost up to $55,000 a kilo, but Laurent has complete freedom to use the resources she wants. “The sky is the limit,” says Mary-Ethel Simeonides of Cartier. “When our clients acquire a lavish piece of jewellery or a watch, they want to distinguish themselves and wear a unique scent. It’s about subtly reflecting the nuances of their personality.”
Similarly, Sylvaine Delacourte at Guerlain invites clients to meet her in the company’s 1914 Champs-Elysees boutique. Delacourte seeks to uncover her clients’ “olfactory heritage” by discussing their memories of smell, using visual triggers and materials. “We have all been marked by certain olfactory memories,” she says. “I seek to uncover their personal history of smell.” After several months of concocting, the client receives three liters of the final product in specially commissioned Baccarat crystal bottles.
Luxury heavyweights such as Cartier and Guerlain charge from $45,000 to more than $90,000, drawing an international repeat clientele that includes Russian oligarchs, financial gurus and some Middle Eastern royal families. But while these companies capitalise on the romance, history and quality associated with their brands, smaller houses are moving in on the less expensive end of the luxury market. L’Artisan Parfumeur has branches around the world, but...


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