




And take Dasmunshi’s pleas that he’ll not do anything to enrage the sensibilities of Catholic organisations, and see them for what they are: his ministry’s innate penchant for censorship. But the minister should know the dangers of offering himself as the interface between a creative work ready for international release and religious organisations demanding a ban. For one, it indicates that for Sansad Bhavan, India is still a nanny state. The Da Vinci Code has already been through the established certification process, and cleared by the Censor Board. And for all its recourse to mention of Renaissance secret societies, its plot is extremely simple and free of deep nuance. By putting in abeyance that clearance, Dasmunshi is only highlighting the totalitarian powers of his office.
But Dasmunshi’s move to insinuate himself in the entire controversy carries a bigger peril. It involves the Government in identity politics of the most volatile sort. To give away some of the suspense, Dan Brown makes some extremely audacious claims about a family line initiated by Jesus. Is it the minister’s case that he is authorised to decide whether this assertion, in a work of fiction, would hurt the sensitivities of a person of faith? This is dangerous terrain for a secular government to be dragged into. The minister, and the government, would be best advised to extricate themselves from this certification mess.


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