Catch the Waves

The gulf war did not take place. So said Jean Baudrillard, cultural theorist and provocateur, about the blurring of spectacle and reality in a war that played out on the world’s TV screens. In India, the Gulf War marked the buccaneering beginnings of satellite television, when neighbourhood cable operators set up rooftop dishes to illegally beam CNN, round-the-clock, into people’s homes. Nalin Mehta’s India on Television: How satellite news channels have changed the way we think and feel chronicles the years since, as the single, state-scripted narrative of Doordarshan exploded into the many babbling fragments that make up our media experience today.

It’s obviously a book that was begging to be written, and Mehta has done a remarkable job of filling in the “satellite-size gap” in the scholarship of Indian television. But despite his bombastic subtitle, the book is not about the reception or effects of satellite news, but about the business itself — right from the intricate prehistory of Indian broadcasting to Doordarshan’s nation-welding project and the simultaneous creep of commercial impulses, the chaotic entry of private news and clumsy attempts to regulate it, and the peculiar ways it has evolved over the last decade.

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